'Reconstructing Kyiv, One Synth Wave at a Time' — article by Jason Farago in THE NEW YORK TIMES, 2023 (EN)
'Personal Anthems: An Interview With Heinali' — interview by Jakub Knera in THE QUIETUS, 2023 (EN)
'W kącie z książeczką. Rozmowa z Heinali' — interview by Liza Sirenko in GLISSANDO, 2023 (PL/UA)
'...a journal of endangered memories and a talisman against loss; above all, it’s a testament to survival' — Kyiv Eternal reviewed by Philip Sherburne in PITCHFORK, 2023 (EN)
'PRZYTUL KIJÓW, PRZYTUL WIECZNOŚĆ' — interview by Jan Błaszczak in TYGODNYK POWSZECHNY, 2023 (PL)
'The fact that the first definitive album about the war bears a theme of hope emphasizes the facet of the Ukrainian character that has captured the hearts of sympathetic citizens around the globe.' — Kyiv Eternal reviewed by Richard Allen in A CLOSER LISTEN, 2023 (UA)
'Райський куточок екстатичного ембієнту витає у вічному Києві на новому альбомі Олега Шпудейка' — Kyiv Eternal reviewed by Oleksandr Kovalchuk in VARIANTY, 2023 (UA)
'Ukrainian artist Heinali releases new album to mark first invasion anniversary' — interview by Anca Ulea in EURONEWS CULTURE, 2023 (EN)
'Як звучить Київ? Розпитали музиканта Heinali про міський альбом Kyiv Eternal' — interview by Serj Hutsanu in THE VILLAGE UKRAINE, 2023 (UA)
'Ukrainian Field Notes - 15 February 2023 - with Heinali' — interview by Gianmarco Del Re in UKRAINIAN FIELD NOTES PODCAST, 2023 (EN)
'I wanted to protect my city from harm' — interview by John Lewis in THE GUARDIAN, 2023 (EN)
'Unsound Festival: nowa muzyka, średniowieczne metody. Magia!' — article by JACEK ŚWIĄDER, POLITYKA, 2022 (PL)
'Otwarte pytanie' — interview by Ivan Shelekhov in DWUTYGODNIK, 2022 (PL/UA)
'Ukrainian Field Notes V' — interview by Gianmarco Del Re in A CLOSER LISTEN, 2022 (EN)
'Українська поліфонія Олега Шпудейка'— interview in HALAS PODCAST, 2022 (UA)
'In any other context, it would be profoundly beautiful; given the war raging outside, this quiet act of perseverance takes on even greater significance—part protest, part song of mourning' — The Best DJ mixes so far, Philip Sherburne, PITCHFORK, 2022 (EN)
'Listening to Heinali’s Imaginary Cathedrals' — article by Ivan Shelekhov in MELOPORT, 2021 (EN)
'In a little nook with a little book. Heinali on rebooting Early Music on a modular synthesizer' — interview by Liza Sirenko in THE CLAQUERS, 2021 (EN)
'Я намагаюся переосмислити музику Середньовіччя в електроніці' — interview by Kateryna Khoroshchak in UKRAYINSKA PRAVDA, 2021 (UA)
'Олексій Шмурак та Олег Шпудейко про досвід подкастингу, складнощі життя та професії сучасних українських музикантів' — interview by Vadym Yakovlev in SUPPORT YOUR ART, 2021 (UA/RU)
'Oleg Shpudeiko pairs (..) re-creations of medieval harmonies with human free improvisation and the results are transporting' — Contemporary Album of the Month, John Lewis, THE GUARDIAN, 2020 (EN)
'Неймовірно красивий альбом, вартий звання сучасної електронної класики' — 20 best Ukrainian albums of 2020 — СЛУХ, 2020 (UA)
'Madrigals и правда похожи на сад, где садовник управляет глобальными параметрами — влажностью, солнечным освещением, рыхлостью почвы, уровнем химикатов, плотностью посадки семян, — но растения всё же растут сами' — Madrigals reviewed by Alexey Shmurak in KYIV DAILY, 2020 (RU)
'Композитор Олег Шпудейко, (...) майстерно переосмислює музику часів Пізнього Середньовіччя та Відродження. Звучить результат водночас казково-роматично та сучасно, а ще унікально. Ви просто мусите це почути!' — best Ukrainian albums of 2020, NEFORMAT, 2020 (UA)
'Heinali и его музыкальные практики' — interview in COMMA, 2019 (RU)
'Possibly the most astonishing piece of music that I’ve heard in 2020' — Madrigals reviewed by John Power Jr, 2020 (EN)
'Beautifully crafted and tender' — Madrigals picked by Berangere Maximin and Ivan Shelekhov for favourite albums of 2020 in THE ATTIC, 2020 (EN)
'Accessible and deep at the same time' — Iridescent reviewed by James Catchpole in FLUID RADIO, 2018 (EN)
'Madrigals is a beautiful piece of art that feels emotionally charged and entirely unique when I look back at all the music I’ve listened to this year' — Madrigals review in HIGHER PLAIN MUSIC, 2020 (EN)
'Phenomenology first' — interview in 15 QUESTIONS, 2018 (EN)
'Some of the most captivating music we've heard so far this year' — article on Anthem in VICE, 2017 (EN)
'It’s like a soundtrack for fleeing in dreamlike slow motion from wolves across a frozen tundra' — Heinali and Matt Finney's How we Lived album of the day on BANDCAMP, 2017 (EN)
'A dense, black-lit exploration of the self as seen through the eye of the storm, of tragedy and eventual recovery' — Heinali and Matt Finney's How we Lived reviewed by James Catchpole in FLUID RADIO, 2017 (EN)
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